Howdy, Mickey! I was wondering if you also had Errol Flynn's westerns in that book you recently finished. He was after all the best of the non-american cowboys. And maybe those with Gregory Peck and the few that Tyrone Power did? :-)
Howdy, Padna'! Try and guess what this classic exchange of dialogue in a famous western novel/film is from: "I'm Talkin' to you, Trampas!" "when i need anything from you i'll call you, you long legged son of a-" (pulls out revolver): "you wanna' call me THAT.........Smile!" "With a Gun against my Hip, I...........always smile. HA HA HA HA HA HA HA!"
You know, Mickey, it's almost as if you've read my mind. I really AM not very fond of movies made after 1976, unless you're talking BACK TO THE FUTURE or PEE WEE'S BIG ADVENTURE. what i consider the Golden age begins from the 1910s at least, all the way to the early 60s. The silver age would be the late 60s, 70s, and 80s. and my, my! That is quite a recasting job you did there. Imagine! 12 ANGRY MEN with Robert Ryan, Ernest Borgnine, Jack Lemmon, And Kirk Douglas! That would certainly have been awesome in it's own way. And i agree with you wholeheartedly regarding Lee J. Cobb. "we shall never see his like again"-Winston Churchill. i left my phone number on your Facebook page. Feel free to Call me about this subject. We'll begin by keeping it private and then i'll let my mother know. :-)
I'd definitely love to! But the following questions ensue: 1. How can we? If you're all the way in Oklahoma and i here in Florida. 2. What will my mother think of it? 3. What exactly is the book going to be about? i know how ya' feel about your friend's vexacious attitudes towards the subject. But you can sure as sugar that i wouldn't do that, and i'd be with you to the end!
You know Michael, you may be 48 and i 15, but one thing that we are very similar in is that we rejoice when we get certain movies we love and wanted on our birthday. I usually head for the classic action/adventure genre of film, which obviously includes our beloved westerns.
Yes, one thing i had forgotten to mention about GUNGA DIN. Kipling's portrayal in the movie. Perhaps he didn't like how he was portrayed in mannerisms and character, but you have got to admit that the actor playing him does have a good resemblance to him.
Another sad cinematic scene is at the end of GUNGA DIN, when Montagu Love and the three Sergeants (Grant, Fairbanks, Jr, and MacLaglen) honor him on his grave by reading Kipling's poem on which the film is based on: "you're a better man than i am, Gunga Din". Then, as the scottish bagpipes sound, the "spirit" of Gunga Din appears saluting proudly with a Corporal Bugler's uniform, what he had wanted to be and what he could have been, as a stirring version of "auld lang syne" plays. What more rousing death ending than that!
hm. i think his dying at the end of THE IRON MASK prophetically represents the death of the silent cinema, and the taking over of the sound era, much like Steve Judd's death at the end of RIDE THE HIGH COUNTRY represents the death of the old west and the coming of the new century. deaths like those have a good deal of symbolism about the very time in which they happen. :-)
well Happy birthday, Michael! by all means! it's wonderful that you got such a classic masterpiece landmark of cinema on blu-ray dvd. as for Agatha Christie, i'm not much a fan of her's but i do love her mysteries, especially when they are classic films adapted from her work.
just finished seeing one of your favorite pictures, THE IRON MASK. truly an amusing silent swashbuckler! i simply love the pacing and sweep of it all, Douglas Fairbank's, Jr. narration of the movie as it progresses a fine tribute to his gallant father. and quite nostalgic of the Three Musketeers, too, this having been their last battle as they each died one by one, D'artagnan being the last to die. the finest Musketeer of them all. and the ending scene where they are all reunited in heaven is just beautiful. Alan Gray's score, too, is excellent and heroic enough for the film. it's great when a silent film is given REAL orchestral or organ music, not synthesized nonsense.
yesterday i saw D.W. Griffith's 1915 silent picture on the Alamo, MARTYRS OF THE ALAMO, which he made the same year as BIRTH OF A NATION.
another great classic i saw was AND THEN THERE WERE NONE, starring Barry Fitzegerald and Walter Huston in excellent performances, Louis Hayward his suave self, June Duprez and C. Aubrey Smith (both from the FOUR FEATHERS) and Roland Young all in great roles. i oughtta; say it's the best darn murder mystery i've ever seen next to MURDER ON THE ORIENT EXPRESS.
I'll see it when it comes out on DVD. The public libraries here in florida oughtta' have it when it does arrive. The main actor, whose french, looks so remarkably like an actor from the 20s and 30s, down to the grin and mustache. If you ask me, he looks somewhat like a french Gene Kelly. THESE are the sort of movies Hollywood should begin making. Who knows? maybe THE ARTIST will spark that revival of making films the classic way!
Yeah, when an actor has to portray a certain character like that, he has to become the character. And it really takes it out of you! right now i'm drawing one of things i like to draw best: Cavalry vs Indians! In this case, the 5th regiment campaigning against Geronimo and his Apache braves in Arizona. I wish i could send you a few drawings, but then i don't know how to send pictures from my cellular phone onto the internet.
Oh, imagine that! But the one the good lord gave me is the one i have. He's very different in tastes and likes, but he is still a very good father. I see him quite often. You see, my mother and father are divorced, so i live with my mother and sister. But i still love my father very much, and hope he can one day finally come back to christ. yesterday i saw the film LUST FOR LIFE. Anthony Quinn gave an excellent oscar winning performance as Gougin, but Kirk Douglas IS Van Gough! He not only remarkably resembles him but also plays him to perfection as a lonely, tormented and greatly talented painter, giving what think is his greatest performance, even better than SPARTACUS and PATHS OF GLORY. I really think Douglas AND Quinn should both have won their oscars for this one. And special mention should go to Miklos Rozsa's underrated score, which really hasn't been considered one of his best. Wonder why.
Well, Michael, i really must say that's a' quite a family you've a' got! So you want to bring back old time radio shows? So do i! Classic adventure shows like ESCAPE, for instance (the episode with Vincent Price in "three skeleton key" is a favorite) are a few i have wanted to follow in legacy. To present a convincing old time radio show, one must listen and learn to how the old actors projected their voices and spoke in certain ways, and do the same. And as for old time Baseball, i have just begun to learn how to pitch and catch. My grandfather from Venezuela is an avid lover of baseball, and his dream has been for me to learn how to play the sport, and it all happened ON HIS RECENT BIRTHDAY! but i have yet to learn to bat. But i'll follow the example of them Yankee heroes: Lou Gehrig and Babe Ruth!
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